Agito

The Agito is a highly versatile, modular remote dolly system designed for film and television production. It’s known for its ability to run on multiple terrains and deliver smooth, stabilized shots. Some key specifications: Modularity: It can switch between different configurations, like the Sports mode for fast movement or the Trax mode for running on rails. Speed: It can reach speeds of up to around 30 mph (about 48 km/h) in Sports mode, but can also move very precisely at slow speeds.Stabilization: It supports various gimbal systems, ensuring super-stable footage even on rough terrain.Control: It can be operated by remote control with real-time adjustments for speed, direction, and camera movement. Battery: It offers a long battery life, typically around 2-3 hours of continuous use depending on load and speed. Payload: It can carry a range of camera packages, from lightweight DSLRs to full cinema cameras. Overall, the Agito is known for its adaptability, high performance, and ability to handle a wide variety of shooting environments, making it a top choice for professional cinematographers the Agito Tower, that comes with the Agito system is an essential part of the setup, allowing for vertical camera movement while the dolly is in motion.Here are some key points:Height Range: The Tower can provide a vertical travel range of about 700 millimeters (roughly 27.5 inches), so it can smoothly raise or lower the camera while in motion.Speed and Smoothness: The Tower moves very smoothly, ensuring that vertical transitions are seamless and stable during shooting.Payload: The Tower is built to handle heavier camera setups—typically it supports payloads up to around 22 kilograms  depending on the configuration.Remote Control: The height adjustments can be controlled remotely, allowing for dynamic on-the-fly changes to the camera height without stopping the dolly.Compatibility: It integrates perfectly with a range of gimbals and camera stabilizers, maintaining a steady shot even as the height changes.This Tower feature makes the Agito system incredibly flexible for creating moving shots with vertical variation, such as going from a low angle to a high angle in a single smooth motion
Download description (.pdf)
Back to All Products

Contacts

Get in Touch

CRS Cine Remote Systems

Ha-Melacha ST 8 unit 228

Rosh-Ha-Ayn

Israel 4809118

Office Tel: 972-3-5373897

WhatsApp/Mobile Tel: 972-55-9586448

Office: office@crs.co.il

Owner/C.E.O: Roy Arama roy@crs.co.il

Accessibility disclaimer
policy - תקנון
Contact Us

    Get in Touch

    **The manufacturers recommend the following safety procedures: in order to reduce the possibility of an accident, every camera crane with an arm range above 30 feet (9 meters) should be operated by at least two trained technicians (grips).

    Because of its extreme versatility, the technocrane is often the only camera movement tool needed to acquire all of the shots on any given location, even for extremely simple camera movements and static shots. One of the biggest misconceptions about technocranes is that they're almost always an additional and unnecessary expense for a production, and that they're really just a fun toy for productions with large budgets. However, despite the up-front cost of technocrane rental and the cost of labor to operate the machine correctly, once it's all set up and ready to shoot, it's usually far quicker and more efficient than any other method of moving the camera around. Add to that the fact that the technocrane allows for everything between tiny adjustments to the frame to full-on improvisation, and it's no wonder why it's such a ubiquitous tool in filmmaking. Ultimately, the technocrane is an incredibly versatile tool that you're very likely going to encounter if you spend time on professional sets. For that reason, it's important for up and coming filmmakers to understand the basic terminology, capabilities, and limitations of the technocrane even if it's not something that you will use on a regular basis in your own work.