ST 50+

This giant has more than 14 meters of telescopic crane length combined with an enormous speed and stability. This techno is the ultimate tool for those who want to achieve complex crane movements of the highest level. The potential of this high-tech device is nearly infinite. By default, the Super Techno 50+ comes with a TechnoheadS.3 axis via joystick and wheel control. The Plus offers a multitude of new possibilities. With the aiming mode, various image settings and movements, including pan, tilt, roll, zoom and focus, can be saved and recalled if necessary. The technician can set precise end stops for the telescope directly on the camera crane. Two points in the room can also be defined directly on the telescope control, which then form a straight line. In plaining mode, the camera crane independently telescopes to keep the camera in a straight line. For example, a point can be programmed for a topshot and the camera remains exactly above the defined point when tilting. because of its size and dimensions it is important to fully recognize the space and logistics needed for operating and transporting safely
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CRS Cine Remote Systems

Ha-Melacha ST 8 unit 228

Rosh-Ha-Ayn

Israel 4809118

Office Tel: 972-3-5373897

WhatsApp/Mobile Tel: 972-55-9586448

Office: office@crs.co.il

Owner/C.E.O: Roy Arama roy@crs.co.il

C.O.O: Dror “Jimmy” Binyamini dror@crs.co.il

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    **The manufacturers recommend the following safety procedures: in order to reduce the possibility of an accident, every camera crane with an arm range above 30 feet (9 meters) should be operated by at least two trained technicians (grips).

    Because of its extreme versatility, the technocrane is often the only camera movement tool needed to acquire all of the shots on any given location, even for extremely simple camera movements and static shots. One of the biggest misconceptions about technocranes is that they're almost always an additional and unnecessary expense for a production, and that they're really just a fun toy for productions with large budgets. However, despite the up-front cost of technocrane rental and the cost of labor to operate the machine correctly, once it's all set up and ready to shoot, it's usually far quicker and more efficient than any other method of moving the camera around. Add to that the fact that the technocrane allows for everything between tiny adjustments to the frame to full-on improvisation, and it's no wonder why it's such a ubiquitous tool in filmmaking. Ultimately, the technocrane is an incredibly versatile tool that you're very likely going to encounter if you spend time on professional sets. For that reason, it's important for up and coming filmmakers to understand the basic terminology, capabilities, and limitations of the technocrane even if it's not something that you will use on a regular basis in your own work.